Advertising News and Notes; Accounts
Date: 19 May 1937
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Francis Patrick Roach (19 May 1937 – 17 July 2004) was an English professional wrestler, martial artist and actor. During an acting career between the 1970s and the 1990s, he appeared in multiple films, usually as a henchman. He appeared in the Indiana Jones film series, as the West Country bricklayer Brian "Bomber" Busbridge in the 1980s British television series Auf Wiedersehen, Pet, and in the role of Petty Officer Edgar Evans in the television production The Last Place on Earth.
Czytaj więcej...19 maja 1937 roku była środa pod znakiem zodiaku ♉. Był to 138 dzień roku. Prezydentem Stanów Zjednoczonych był Franklin D. Roosevelt.
Jeśli urodziłeś się w tym dniu, masz 89 lata. Twoje ostatnie urodziny upłynęły wtorek, 19 maja 2026 roku, 4 dni temu. Twoje następne urodziny przypadają na dzień środa, 19 maja 2027 roku, w 360 dni. Żyłeś przez 32 511 dni lub około 780 276 godzin lub około 46 816 575 minut lub około 2 808 994 500 sekund.
Date: 20 May 1937
The new film today at the Palace is "Melody for Two," a Warner musical with Patricia Ellis, James Melton, Fred Keating and Marie Wilson .. . The Fred AstaireGinger Rogers song and dance opus, "Shall We Dance," is continuing for a second week at the Radio City Music Hall.
Date: 19 May 1937
Special to THE NEW YORK TIMES
On retirement of Van Devanter
Date: 19 May 1937
In a grave crisis Mr. Abbott usually can be counted on for a comedy: that is his intention for tonight at the Cort, where he will be setting down "Room Service." This one is a farce about show business, with emphasis on its shoestring phase, and the wails of John P. Murray and Allen Boretz.
Date: 20 May 1937
It appears that Richard Aldrich, who will supervise the drama festival at Central City, Col., this Summer, is not going to miss any of the stunts which old showmen used to pull in that mining town. For,
Date: 20 May 1937
Convention
Date: 19 May 1937
By Frank S. Nugent
Frank Nugent
Blithely concealing the erosive scars of "The Wave," the Filmarte Theatre skipped back into the department's favor yesterday with a gay and lively Viennese comedy called "The World's in Love." We recommend that you do not hold the title against it, any more than you would object to Franz Lehar's name for its parent work, "Clo-Clo." Like one of Humpty-Dumpty's verbal portfolios, it can be made to cover practically any thing. In this case, it means ??? tinkling score, a diverting script and a cast with a pleasant sense of farce.A comic quilt of misunderstandings, Mr. Lehar's book chronicles a week-end trip to Vienna by by Petevon Waldenau and his immense—and immensely funny—father, who has never forgotten, or been permitted by his wife to forget, an indiscreet interlude he shared twenty five years before with a young dancer. In Vienna—where they are supposed to be inspecting farm machinery—both are captivated by the revue star, Ilona Ratkay, and slyly effect introductions, but find ea??? other out when both accept a dinner invitation meant only for one.Out of this farce situation develops another when the elder von Waldenau reads in the papers—and how was he to know it was just a press agent's whimsy—that Ilona was the child of an illicit romance between a Herr von W. and the dancer, Arany, twenty-five years ago. How to stop the budding affair between his son and his (presumed) daughter without revealing the truth to his wife becomes, then, the great problem for the portly von Waldenau and a source of considerable amusement to us.The picture resolves this promising theme with a deal of humor, chiefly contributed by the huge Leo Slezak as Herr von W. and Hans Moser as Anton, his servant and wife-imposed guardian, and with its romance, borne lightly by Marta Eggerth and Rolf Wanka. Miss Eggerth, who was summoned Hollywood two years ago and never used, is quite attractive and has ??? sweet, although light, sopr??? which is well-suited to the Leh??? score. The dialogue translations are excellent.Newsreel accounts of the coronation of George VI reached this country yesterday on the Normandie and were distributed in time for evening showings at most of the metropolitan theatres. Fox-Movietone, Pathe, Universal, Paramount and News of the Day releases brought to pictorial life the unprecedented amount of detail already reported for the public by the press and the radio. The cameras follow the procession from Buckingham Palace through the ranks of the 3,000,000 onlookers to Westminster Abbey, where through the long-range lenses the actual ceremony is shown in close-up.George VI appears taut and struggling to control emotion during the measured pace of the ceremony, his facial muscles twitching and his hands trembling as he bends to receive the crown, and later as he accepts the scepter and the wand. The releases show clearly, and to the amusement of the audiences in most cases, the uncertainty of the Archbishop of Canterbury as to which is the front of the jeweled crown. After the scenes in the Abbey, the procession is watched over its traditional course, with glimpses of the representative groups from all ends of the Empire, until the royal family ??? united on the balcony of Buckingham Palace.